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Occasionally an "announcer" (you or me) will ask a question or insert a call to action. The rest is carefully edited verbatim Gush. There are a dozen or so examples below of how I turn your loyal customers into your best salesmen. Sometimes one person will carry the entire spot. Sometimes we send in the team... |
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Real People Radio works better than Urgent Announcer Copy, TV sound tracks, or clever skits. Direct Response, Retail and Brand Image advertisers who track sales can instantly profit from the five main advantages of this technique. Credibility. Happy customers are more believable than paid talent. They are NOT as articulate, polished, or funny as announcers, celebrities or actors. There is no "Take eight, please..." But the very "rawness" of the way people speak, with their ums and ahs and less than perfect grammar, conveys a level of Truthfulness you can't get from copywriters, AFTRA performers, or radio station announcers.
Emotions v. Facts. All purchase decisions are driven by emotions and then rationalized with facts. Once you've bought the product, the "Permission to Believe" is far less important than the emotional benefit you get when the Thing actually works. My commercials usually contain a few technical product details, but the objective is to spread contagious enthusiasm not to rattle off Seven Important Reasons To Buy Now. Gush v. Drone. Most advertisers run one Control Copy :60 into the ground. I run a number of commercials equal to two to three times the annual Effective Frequency of the media buy. (Half the cume of CNN Sirius hears 8.0+ Dinovite commercials a year; I run 14 to 20 :60s across all Sirius XM networks.) Even P1s rarely hear the same spot more than twice; the campaign stays fresh; the wide variety of story lines & voices appeals to Amiables, Analyticals and Expressives - who comprise 75% of the population. Announcer Copy is aimed at the Drivers who approve it. Less Money. More Sales. The net effect of all of the above is that an advertiser with a modest MCPS often has to run fewer commercials to achieve the same results as his more conventional competitors with much larger Bludgeon Budgets. In Direct Response, I get maximum response velocity at an Optimum Effective Frequency of 1.5 to 1.8, which requires half as many airings as a typical f-3.0 brand image flight in radio or TV. My D.R. clients can Pelican Fish a great many stations or networks, pick off Today's Steam Heat Shoppers, move on to the next pool, then come back in a few weeks. (Real People Radio production costs are a little higher, but there are Zero Talent Residuals.) |
Brutus :60
Timothy :60
Forrest P is on Vibrate :60
Barbara's New House :60
Molly :60
Sara and Jeff :60
How We Help :60
BioScience :60
Luke & Meg On Top :60
These Girls Are Geeks
Starts Tomorrow! :60
Quality Gush
Enzymes :60
Hair :60
Vets :60
Stinky II :60
Big Stinky :60 ||||||
The Radio Show
Complete Campaigns
The Basics of Direct |
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Real People Radio is as much an art form as making jingles or staging clever slice of life radio skits. It was said of Robert Frost that before he read his poetry in public he would spend a half hour in front a mirror making sure his hair looked like a comb had never touched it. Real People Radio commercials sound like people talking, not like recorded announcements. That requires engineering and taste.
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© 2010 PETER A. BURKHARD (407) 895-3092) peter@burkhardworks.com |